• Home
  • Works in Series
  • The Intimacies Project
  • Archive
  • Biography
  • Texts & Reviews
  • News
  • Contact
Menu

Lior Herchkovitz

  • Home
  • Works in Series
  • The Intimacies Project
  • Archive
  • Biography
  • Texts & Reviews
  • News
  • Contact

Archive | Real Images in an Illusory World | Series of 13

Real Images in an Illusory World

 Couple II, 2000

Couple II, 2000

Real Images on an Illusory World

 Girl on Bed, 2002

Girl on Bed, 2002

Real Images on an Illusory World

 Martijn, 2002

Martijn, 2002

Real Images on an Illusory World

 Brothers, 2003

Brothers, 2003

Real Images on an Illusory World

 Hubert, 2003

Hubert, 2003

Real Images on an Illusory World

 Marlena I, 2003

Marlena I, 2003

Real Images on an Illusory World

 Couple III, 2003

Couple III, 2003

Real Images in an Illusory World

 Orit, 2003

Orit, 2003

Real Images on an Illusory World

 Daniel, 2003

Daniel, 2003

Real Images on an Illusory World

 Ben, 2003

Ben, 2003

Real Images on an Illusory World

 Marlena II, 2003

Marlena II, 2003

Real Images on an Illusory World

 Preparing (Grandma Bianca), 2003

Preparing (Grandma Bianca), 2003

Real Images on an Illusory World

 Kobi, 2003

Kobi, 2003

Real Images on an Illusory World

 Albert, 2003

Albert, 2003

prev / next
Back to Real Images in an Illusory World
  Couple II, 2000
1
Couple II, 2000
  Girl on Bed, 2002
1
Girl on Bed, 2002
 Martijn, 2002
1
Martijn, 2002
  Brothers, 2003
1
Brothers, 2003
  Hubert, 2003
1
Hubert, 2003
  Marlena I, 2003
1
Marlena I, 2003
  Couple III, 2003
1
Couple III, 2003
  Orit, 2003
1
Orit, 2003
  Daniel, 2003
1
Daniel, 2003
  Ben, 2003
1
Ben, 2003
 Marlena II, 2003
1
Marlena II, 2003
  Preparing (Grandma Bianca), 2003
1
Preparing (Grandma Bianca), 2003
  Kobi, 2003
1
Kobi, 2003
thumbnail_albert.jpg
1
Albert, 2003

Real Images in an Illusory World | Series of 13

This series is a collection of tableaus, which the starting point in the process was an attempt to penetrate beyond the representative "I," beyond the veil - and to reach intimacy and candor with the sitter. I wanted to focus on the person and his natural environment. The exposure process led to the controlled selection of the items in the photograph so that they are identified with the photographed person, with the desire to create a contrast between the place, the lighting, the colors and the mood of the character.

I think that many people perpetuate only moments of achievement, success, and happiness. This type of commemoration is partial, tendentious and sometimes false. Perhaps most of us are still captivated by the perception that only moments of joy and achievement are beautiful moments and therefore worthy of documentation. I was seeking to expose the alienation between the character and its world, its surroundings and to reflect an experience of detachment and futility. Both in closed personal spaces and in open space - the figures are cut off and locked under an invisible veil that distinguishes them from their context. Their eyes are wide open, but they are not looking anywhere.

Lior Herchkovitz, Tel Aviv, 2003

© Lior Herchkovitz 2020

© 2025 Lior Herchkovitz